Wilson Audio by Roland Spalinger, High End Schweiz


Wilson Audio bei Spalinger

by Roland Spalinger

Wilson Audio begleitet mich seit über 20 Jahren. Damals führte ich an den ersten Watt's erste Upgrades und Modifikationen durch. Ich sah mit welcher penibler Genauigkeit auf Details geachtet wurde. Nichts wurde dem Zufall überlassen. Selbst verschiedene Lot's wurden verwendet, selbst die Kolben Temperatur wird definiert. 

Später als Händler führte ich damals unter anderem Watt Puppy V und Grand Slamm ein. Es gibt einige Einzigartigkeiten die Wilson Audio Lautsprechern zu Ausnahmelautsprecher machen. Unter anderem hat David Wilson eine Methodik, an welcher Position im Raum sein Lautsprecher am besten klingt. Die meisten Hersteller lassen den Benutzer den Lautsprecher einfach im Raum hin und herschieben, bis er dann nach Monaten mal gut klingt. Wilson Händler werden geschult damit der Lautsprecher optimal klingt und das klangliche Optimum zeigt

 

Wilson Factory Tour

Wilson Factory Tour (by Spalinger 2017)

Sabrina Youtube

Die WAMM Story (deutsch)

David Wilsons Video im Gespräch über Geigenbögen

 

Wilson Audio in the Mormon Tabernacle Choir Recording Studio

Soeben an der High End 18 in München vorgestellt die neuen Tune Tot. Jetzt in der Vorführung..


Farben (Die Sabrina ist lieferbar in:) Obsidian Black, Desert Silver, Galaxy Grey, Biarritz White, Titan Red

 

Standard Wilson Glanz Farben sind: Obsidian Black, Desert Silver, Galaxy Grey, Titanium Brown w/ extra metallic flake, Argento Silver.

 

Upgrade Wilsongloss Colors include: Amarillo Yellow, Classic Orange, Titan Red, Carmon red, Seafoam Green, Blanco Fuji, Biarritz White, Topaz, Mahogany, Diamond Black, Estoril Blue.

 

Custom Sample Farbe. Lager der bestellten Farbe über 5 Jahre ist inklusive.

Farblink

Wilson Audio Duette II

 

Die Wilson Audio Duette 2, ist konzipiert für die wandnahe Aufstellung. Sie ist nicht allzu kritisch in der Aufstellung, selbst der Winkel spielt eine untergeortete Rolle. Der Lautsprecher kann entweder direkt auf ein Sideboard oder mit den optionalen Ständern aufgestellt werden.

 

Preisanfrage

Price on request


Wilson Audio XLF

  • Wege/Chassis: 4/5
  • Wirkungsgrad 93.5dB
  • Impedanz Ohm Nominal: 4Ohm
  • Frequenz Gang 19.5-33000Hz
  • Anschlüsse: Single-wire
  • Masse HxBxT mit Spikes: 178x50x71cm
  • Gehäuse: 3-teiliges Gehäuse, auf Distanz und Ohrhöhe justierbar

 

 

Preisanfrage

Price on request


Mezzo CS Tweeter

CHF 0.00

  • 71.21 kg
  • verfügbar
  • 5 - 30 Tage Lieferzeit1

WATCH - Center Series Vorführbereit

Reproducing the emotional impact of live music through two-channel reproduction has been the organizing passion of Wilson Audio since its inception over four decades ago. Applying the same experience and expertise to multi-channel theater systems was simply the natural extension of that passion

CHF 0.00

  • 56.25 kg
  • verfügbar
  • 1 - 3 Tage Lieferzeit1

Alida - Wall Mount Pair Vorführerbeit

Alida is the latest Special Applications product from Wilson Audio. It was designed to offer the timbrel neutrality, dynamic response, soundstage depth, and transparency of floor-standing Wilson loudspeakers, but to do so in the extremely adverse conditions of wall-mounted applications. The Alida is a perfect example of performance disproportionate to size.

CHF 0.00

  • 26.31 kg
  • verfügbar
  • 5 - 30 Tage Lieferzeit1

WATCH Dog Subwoofer

CHF 0.00

  • 95.7 kg
  • verfügbar
  • 5 - 30 Tage Lieferzeit1

Thor`s Hammer Subwoofer

CHF 0.00

  • 186.43 kg
  • verfügbar
  • 5 - 30 Tage Lieferzeit1

Subwoofer Controller

CHF 0.00

  • verfügbar
  • 1 - 3 Tage Lieferzeit1

Wilson WAMM Chronosonic

Wilson Wamm auf Anfrage

Dave Wilson recently observed that even if he were an accountant he’d still design and build loudspeakers. It’s in his blood. Even as a young teenager, Dave was obsessed with the sound of live music. He was enthralled with the idea that an audio system—specifically its transducers—could temporarily suspend disbelief, could momentarily convince the listener that what he was hearing was the real thing. He felt compelled to discover the salient factors responsible for believable music reproduction. What was it about certain combinations of drivers, cabinet materials, and even the geometric arrangement of those drivers that produces an intellectually and emotionally convincing verisimilitude of live music? It was Dave’s search for the answers to these questions that ultimately led he and his wife and lifelong business partner Sheryl Lee to form a company they called Wilson Audio.

Dave’s idealism, passion, and a certain genius for the scientific method fueled the business. Wilson’s first commercial loudspeaker was the WAMM (Wilson Audio Modular Monitor). The WAMM’s proprietary (and patented) adjustability in the time domain via movable modules was revolutionary. This ability, which enabled proper propagation delay for each installation, has underpinned the inceptional methodology for every large Wilson loudspeaker since.

It’s an understatement to suggest that the WAMM took the world by storm. After hearing it, Peter Moncrieff famously proclaimed in International Audio Review that the WAMM was “audio in its noblest form.” Larry Archibald, then the publisher of Stereophile, said the WAMM was “…the most enjoyable speaker system I’ve listened to, and significantly valuable as a diagnostic tool.”

It is fitting and perhaps even poetic that after leading the effort for dozens of industry-changing designs, Dave has come full circle back to his original concept—the WAMM. As most of you know, Dave’s primary focus for the past several years has been the new WAMM Master Chronosonic, a flagship loudspeaker worthy of the original’s legacy.

The WAMM Master Chronosonic is the most time-domain correct loudspeaker in Wilson’s history. It plums new depth in terms of technology and execution. From drivers to cutting-edge composites, from crossover technology to perfecting geometries. Most importantly, the adjustability in the time domain is precise down to five millionths of a second for any installation—accuracy heretofore only achievable in the theoretical domain.

The result is a musical experience with a level of intellectual and emotional verisimilitude only bettered by the live musical event itself. It is a loudspeaker truly worth of the term “Magnum Opus.”

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